Wednesday, 14 April 2010
What exactly do writers mean when they talk about back-story? Basically, it is filling the reader in on the background of your story, why the action takes place where it does, the subtext of your character’s lives, and the reasons for the big question or problem they have to solve.
Back-story is essential to novels, but the opening pages aren’t the place to go into depth about your character’s past or the places they inhabit. The trick is to give the reader just enough information to make them care, and want to find out what happens next.
You need to think carefully about the opening chapter. Readers don’t necessarily have to know that your heroine has blue eyes, blonde hair, and lives with her aged mother in a tumbledown cottage, or that the hero has two siblings who have green eyes and regularly tap him for a loan.
Think of the opening of your novel as the equivalent of an appetiser—a bit of teasing in order to keep the reader hooked. A couple of sentences here and there, no long blocks. Back-story is showing not telling. Your readers want to launch into the action. They want to see what’s happening. They don’t want to be told.
What about flashbacks – those little scenes where your character starts to think about something that took place weeks/months/years ago? Flashbacks can slow the pace of the story and confuse readers. They are best used in a prologue, but be careful that you don’t tell the reader too much, too soon. There are three primary ways to include back-story in your novel.
I prefer to use dialogue. It feels more natural to have my characters talk about their past, or explain their reason for acting in a particular way. But it’s a personal choice and you have to decide what works best for that part of the story.
But how do you know how much back-story to use?
That’s a difficult question, and to a certain extent, the decision is yours. Just remember, too much back-story will make the reader bored and tempt him or her to put the book down. You’ll lose their attention. They may even wonder why they picked up the book in the first place, and that’s the last thing any writer wants.